Gabriella and Silvana Mangano Program Location Registration Accommodation Collaboration has fostered ground-breaking innovations in the visual arts during the 20th and 21st centuries. This symposium focuses on the dynamics of reciprocal exchanges and collaborative experiments by modern and postmodern artists. How might we situate creative partnership within its social and historical contexts, discursive and ideological frames, and the ‘instabilities’ of gender? What new methodologies can we bring to the study of artistic collaboration? In addressing these questions, this symposium seeks to shed light on both creative co-operation and politicized critiques of traditional models of authorship. The symposium consists of both invited talks and reviewed submissions. We welcome expressions of interest from potential audience members and speakers. Possible topics include:- Intersubjectivity and paradigms of reciprocity
Keynote Speaker:Professor Joachim Pissarro, Hunter College (USA)Intersubjectivity in Modern Art Professor Joachim Pissarro's most recent book is Cezanne/Pissarro, Johns/Rauschenberg, Comparative Studies on Intersubjectivity in Modern Art (2006). He curated the landmark exhibition 'Pioneering Modern Painting: Cezanne and Pissarro' at New York's Museum of Modern Art in 2005. He is Bershad Professor of Art History and Director of the Hunter College Galleries, New York. Find out more about Professor Pissarro
Confirmed Speakers:Dr Janine Burke, Monash University (Australia)Imagine: The Art of Yoko Ono and John Lennon Dr Burke is an art historian, curator, critic and novelist. The Gods of Freud: Sigmund Freud's Art Collection (2006) is the first full-length account of Freud's obsession with art collecting and antiquities. Source: Nature's Healing Role in Art and Writing will be published in November. She is a Monash Research Fellow in the Schools of English, Communications and Performance Studies, and Political and Social Inquiry. Dr Burke's current project is Being Geniuses Together: Artist Couples, Communities and Collaborations, which explores the creative partnerships of, amongst others, Berlin Dada, Leonora Carrington and Remedios Varo, Yoko Ono and John Lennon and the Papunya Tula Aboriginal community.
Dr Jill Carrick, Carleton University (Canada)Daniel Spoerri's Suitcase: Collaborating Outside the Box Jill Carrick teaches art history and cultural theory at Carleton University, Canada, where she is an Assistant Professor in the department of Art History and the Institute for Comparative Studies in Literature, Art and Culture. Her research interests include collaborative art and interdisciplinary theory. Her book Nouveau Réalisme, 1960s France, and the Neo-avantgarde: Topographies of Chance and Return is appearing shortly with Ashgate Press. Her other publications include: “The Assassination of Marcel Duchamp: Collectivism and Contestation in 1960s France”, The Oxford Art Journal, 2008; “Le Nouveau Réalisme: un détournement de la profusion des choses”, in Le Nouveau Réalisme, Réunion des Musées Nationaux/Centre Pompidou, Paris, 2007; and “Phallic Victories? Niki de Saint-Phalle’s Tirs”, Art History, 2003. Dr Carrick's Nouveau Realisme will be published later this year. Dr Desmond Rochfort (Canada)Mexican Revolutionary Muralists Dr Desmond Rochford is Dean of the Faculty of Fine Arts at the University of Lethbridge, in Alberta, Canada. He is a leading art historian of Mexican mural painting and public mural art, and a respected and sought-after teacher and visiting lecturer in his field. He has curated or consulted on many art exhibitions in the United Kingdom and Canada, including key exhibitions on Diego Rivera and Jose Clemente Orozco. Desmond Rochfort’s books include The Murals of Diego Rivera and Mexican Muralists: Orozco, Rivera, Siqueiros. Registration and InquiriesRegister for the Collaborations symposium For all other inquiries, please email collaborations@arts.monash.edu.au
Conference OrganizersDr Janine Burke Dr Jill Carrick |